Weaponizing History: Russia’s Anti-Colonial Narrative in India and the Geopolitics of Strategic Autonomy
Abstract
This paper analyzes Russia’s strategic deployment of anti-colonial narratives in India, particularly through the state-funded media outlet RT and its new program “Imperial Receipts” featuring prominent Indian politician and scholar Dr. Shashi Tharoor. Amidst Russia’s geopolitical isolation following its invasion of Ukraine, Moscow has intensified its public diplomacy efforts to strengthen partnerships, with India emerging as a key priority. This paper argues that RT’s anti-colonial programming serves as a sophisticated strategic communication tool designed to resonate with India’s historical grievances, reinforce its commitment to strategic autonomy, and subtly promote an anti-Western geopolitical stance, thereby countering Western efforts to distance New Delhi from Moscow. By examining the content, promotion, and broader context of Russia’s media push in India, this paper sheds light on the evolving dynamics of great power competition and the weaponization of historical narratives in contemporary international relations.
- Introduction
The early 21st century is characterized by a reshaping of the global geopolitical landscape, marked by a contest for influence among major powers and the emergence of a more multipolar world order. In the wake of its 2022 invasion of Ukraine, Russia has faced significant diplomatic and economic isolation from Western nations (United States, Canada, Europe), prompting a strategic pivot towards strengthening alliances and partnerships in the Global South. India, a rising economic and military power with a history of non-alignment and strategic autonomy, has emerged as a crucial focus for Moscow’s foreign policy and public diplomacy efforts.
This paper critically examines a prominent instance of this renewed Russian engagement: the launch of “Imperial Receipts,” a weekly anti-colonial series produced by the Russian state media entity RT (formerly Russia Today), featuring the distinguished Indian opposition politician and author, Dr. Shashi Tharoor. Advertisements for the program, showcasing Dr. Tharoor, widely appeared in Indian cities and newspapers in August 2025, ahead of its September 1 debut. The series, broadcast on RT’s free-to-air channel and widely shared on Dr. Tharoor’s YouTube channel and WhatsApp, delves into the systemic exploitation and cultural destruction perpetrated by British colonialism in India.
While ostensibly a historical critique, this paper posits that “Imperial Receipts” transcends mere academic discourse. It represents a calculated strategic communication initiative by the Russian state to leverage deeply embedded anti-colonial sentiments within India, thereby weaving a narrative that subtly aligns with Moscow’s current anti-Western geopolitical agenda. By promoting a discourse that emphasizes India’s right to independent choices and a critique of Western historical dominance, RT aims to reinforce India’s existing foreign policy doctrine of strategic autonomy and resist Western pressures for New Delhi to distance itself from Moscow. This paper will analyze the content and promotion of “Imperial Receipts,” Russia’s broader media strategy in India, and the geopolitical implications of this nuanced engagement.
- Theoretical Framework: Public Diplomacy, Strategic Narratives, and Post-Colonial Resonance
This analysis draws upon several theoretical constructs to understand Russia’s media strategy in India.
Firstly, public diplomacy serves as a foundational concept. It refers to the efforts of states to influence foreign public opinion and build support for their policies. Unlike traditional diplomacy, which targets governments, public diplomacy aims at shaping the perceptions of foreign publics through various channels, including media, cultural exchange, and educational programs (Leonard, 2002). In this context, RT’s “Imperial Receipts” functions as a public diplomacy tool, seeking to cultivate a favorable image of Russia and its geopolitical perspectives by aligning with Indian national sentiments.
Secondly, the concept of strategic narratives is crucial. Strategic narratives are overarching stories that states construct and disseminate to shape perceptions of international reality, legitimize their actions, and delegitimize those of adversaries (Miskimmon et al., 2013). By framing Britain’s colonial history in stark terms of exploitation and linking it to a contemporary “anti-West” message, Russia constructs a strategic narrative that positions itself as an ally in decolonization narratives while subtly criticizing Western hypocrisy and dominance. The narrative of “making its own choices” directly supports India’s existing foreign policy framework.
Thirdly, the enduring legacy of post-colonialism provides the resonant backdrop for this initiative. Post-colonial theory examines the lasting impacts of colonialism on societies and cultures, including the psychological, economic, and political ramifications that extend beyond political independence (Said, 1978; Spivak, 1988). In India, the memory of British colonial rule, particularly its economic plunder and cultural suppression, remains a powerful and emotionally charged aspect of national identity. Tapping into these deep-seated sentiments allows Russia to establish a connection rooted in shared historical grievances against Western imperial powers.
Finally, the paper touches upon the dynamics of information warfare and media influence. In an increasingly polarized global media landscape, state-sponsored media like RT play a significant role in shaping public discourse and influencing perceptions (Monbiot, 2016). By strategically deploying content that resonates with specific target audiences and amplifying it through local platforms, these outlets aim to advance their national interests and counter competing narratives.
- “Imperial Receipts”: Leveraging Anti-Colonialism for Geopolitical Gain
RT’s “Imperial Receipts” is not merely an academic exploration of history but a carefully constructed narrative designed with contemporary geopolitical objectives in mind. The program’s content, featuring veteran politician and respected scholar Dr. Shashi Tharoor, meticulously documents the extensive exploitation and destruction unleashed by British rule in India. Dr. Tharoor’s articulation, as quoted in the article, powerfully contrasts Britain’s rise to a “great outpost of human civilisation, prosperity, gold and commerce” with India’s descent into a “poster child for third-world destitution, poverty, disease, malnutrition and suffering.” This framing effectively uses historical facts to evoke strong emotional responses and reinforce a narrative of systemic injustice.
The choice of Dr. Shashi Tharoor as the face of the program is highly strategic. As a well-known Indian opposition politician, author, and diplomat with a formidable reputation for his scholarship on British colonialism (e.g., “An Era of Darkness: The British Empire in India”), Dr. Tharoor brings significant intellectual credibility and public recognition. His presence lends an air of academic rigor and authenticity to the program, making its anti-colonial message resonate more powerfully with Indian audiences. His involvement likely amplifies the program’s reach, especially through his official YouTube channel which has accumulated substantial views, and through widespread sharing on WhatsApp, demonstrating a successful multi-platform dissemination strategy.
The promotional strategy further underscores the program’s strategic intent. Advertisements featuring Dr. Tharoor were prominently displayed on hoardings and in newspapers across Indian cities. The fact that these were funded by RT, a foreign state media entity, rather than Dr. Tharoor’s own political party, highlights the external agency behind this narrative push. Furthermore, the anachronistic setting of the interviews—a “pearl-white colonial-era hotel in Delhi that vaunts its ‘old-world European charm with its colonial impressions’”—can be interpreted as a subtle yet potent visual statement. It serves to emphasize the lingering presence of the colonial past and subtly critiques the continued appeal of such aesthetics even in post-colonial contexts, reinforcing the program’s core message.
Crucially, the article explicitly states that the program “is not just a critique of Britain’s dark colonial history; it is also a gamble to set a contemporary geopolitical narrative.” By tapping into “widespread anti-colonial sentiments among Indians,” RT’s “Imperial Receipts” “slips in a not-so-subtle anti-West message that aligns neatly with Moscow’s current strategic goals.” Dr. Tharoor’s quote in RT’s press release – “The last thing you (India) want to do is to surrender as an independent nation your right to have your own view to anybody else” – directly serves this purpose. It interprets historical grievances as a contemporary call for independent decision-making, implicitly cautioning against aligning too closely with Western powers and framing such alignment as a new form of subservience. This message is a direct exhortation to India to maintain its strategic autonomy.
- Russia’s Broader Media Offensive and India’s Strategic Autonomy
The “Imperial Receipts” program is not an isolated initiative but part of a broader, concerted Russian state media offensive in India. This offensive aims to consolidate Russia’s position as a reliable partner and counter Western influence in a strategically vital nation.
Since its invasion of Ukraine, Russia has faced an unprecedented level of isolation from Western countries. This has prompted a redoubling of efforts to cultivate non-Western alliances. India, with its relatively neutral stance on the Russia-Ukraine conflict, its historical ties extending back to the Cold War, and its continued strong defense and economic partnerships with Moscow, has become a “key priority.” Despite increasing criticism and pressure from Western powers, including steep US-imposed tariffs, New Delhi has steadfastly defended its choices as being rooted in “national interests and strategic autonomy.” India continues to procure cheap Russian oil and participate in joint military exercises, such as the Zapad exercises in Belarus, which simulated conflict with NATO countries.
This context provides fertile ground for Russia’s media strategy. As articulated by Nandan Unnikrishnan, a former journalist and head of the Eurasia Programme of Studies at the Observer Research Foundation, “It’s a battle for which side of the fence India will fall on.” Russia aims to ensure India remains on its side, or at least committed to its independent path, thereby resisting a “tighter Western embrace.”
RT’s plans to launch a dedicated channel, “RT India,” by the end of 2025, with a studio already set up in the Delhi National Capital Region and claiming a “potential reach” of 626 million viewers, signals a significant, long-term commitment. This expansion demonstrates Russia’s intent to tailor content specifically for the Indian audience, ensuring maximum resonance and impact. Similarly, Sputnik, another Russian state-owned news agency, has ramped up its operations in India, launching a Hindi handle on X (formerly Twitter) in July, in addition to its English presence. Sputnik’s self-proclaimed mission of offering “news free of Western bias” directly challenges the narratives propagated by Western media and implicitly positions Russian media as an alternative, more trustworthy source for countries disillusioned with perceived Western hegemony.
Therefore, “Imperial Receipts” functions as a psychological operation within a broader information war. It uses a popular, historically grounded narrative to create a sense of solidarity between Russia and India, while simultaneously bolstering India’s existing foreign policy stance of strategic autonomy against Western pressures.
- Implications and Future Directions
The Russian state media’s strategic use of anti-colonial narratives in India carries several significant implications for international relations, media studies, and India’s foreign policy.
Firstly, it highlights the increasing sophistication of great power competition in the information domain. Russia is effectively deploying soft power and strategic communication to counteract hard power pressures and diplomatic isolation. By tapping into existing historical grievances and national pride, Moscow seeks to cultivate a favorable environment for its geopolitical objectives, making it more challenging for Western powers to sway Indian public opinion or government policy.
Secondly, the involvement of a respected public intellectual and opposition politician like Dr. Shashi Tharoor raises questions about the ethics and implications of public figures lending their credibility to state-sponsored media of foreign powers, particularly those with controversial human rights records or aggressive foreign policies. While Dr. Tharoor’s motivations may stem from genuine academic interest in anti-colonial discourse, his association inadvertently legitimizes RT’s broader agenda and amplifies its reach. This underscores the blurred lines between objective journalism, historical commentary, and strategic propaganda in the contemporary media landscape.
Thirdly, this strategy reinforces India’s commitment to strategic autonomy. The narrative of “making its own choices” resonates deeply with India’s long-standing foreign policy tradition of non-alignment (though now often termed multi-alignment or strategic autonomy). By acknowledging and validating this pillar of Indian foreign policy, Russia positions itself as an enabler of India’s independence, contrasting with Western narratives that might be perceived as prescriptive or demanding. This approach is likely to strengthen the existing strategic partnership between India and Russia, making it more resilient to external pressures.
Future research could explore the audience reception of “Imperial Receipts” within India, analyzing its actual impact on public perceptions and political discourse. A comparative analysis of Russian media strategies in other Global South nations, particularly those with significant colonial histories, would also provide valuable insights into the broader patterns of Russia’s public diplomacy. Furthermore, investigating the long-term effectiveness of such campaigns in shaping foreign policy decisions and challenging dominant international narratives would be a crucial area of study.
- Conclusion
The launch and extensive promotion of RT’s “Imperial Receipts” in India, featuring Dr. Shashi Tharoor, represents a potent example of Russia’s strategic communication and public diplomacy efforts in a rapidly evolving geopolitical landscape. Amidst its isolation from the West, Moscow is adeptly leveraging deeply resonant anti-colonial narratives to strengthen its partnership with India. By framing the show’s content as a call for India to assert its independent choices against perceived external pressures, RT subtly promotes an anti-Western message that aligns with Russia’s current strategic goals while simultaneously reinforcing India’s cherished doctrine of strategic autonomy.
This initiative is part of a broader, sustained Russian media offensive in India, characterized by significant investment in platforms like RT India and Sputnik. The use of a credible public figure like Dr. Tharoor, coupled with widespread promotional activities, enhances the legitimacy and reach of this narrative. Ultimately, Russia’s “weaponization of history” through anti-colonial discourse serves to counter Western influence, solidify its long-standing ties with India, and contribute to the ongoing global “battle for which side of the fence India will fall on.” As the international order continues to shift, such sophisticated deployments of narrative power are likely to become increasingly central to great power competition and the shaping of future alliances.
References
Leonard, M. (2002). Public Diplomacy. The Foreign Policy Centre.
Miskimmon, A., O’Loughlin, B., & Roselle, L. (2013). Strategic Narratives: Communication Power and the New World Order. Routledge.
Monbiot, G. (2016, November 9). Russia Today is a menace to the free world. The Guardian.
Said, E. W. (1978). Orientalism. Pantheon Books.
Spivak, G. C. (1988). Can the Subaltern Speak? In C. Nelson & L. Grossberg (Eds.), Marxism and the Interpretation of Culture (pp. 271-313). University of Illinois Press.
Tharoor, S. (2017). An Era of Darkness: The British Empire in India. Aleph Book Company.
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