Movie Reviews & Viewing Guide
In-Depth Analysis of 10 Must-Watch Films
January 2026
Introduction
The Chinese New Year 2026 cinema season brings an exceptional lineup that showcases the vibrancy and diversity of contemporary Asian cinema. From heartfelt family comedies to epic wuxia spectacles, this year’s offerings cater to every taste while honoring the traditions of reunion, redemption, and renewal that define the festive period.
This comprehensive guide provides in-depth reviews of ten standout films releasing between late January and mid-February 2026. Whether you’re seeking laugh-out-loud comedies, action-packed martial arts epics, or poignant family dramas, this curated selection offers something for everyone to enjoy during the CNY celebrations.
New Releases
A Good Fortune
Release Date: January 29, 2026
Director: Jason Lee (Feature Debut)
Cast: Xixi Lim, Liu Lingling, Wang Weiliang, Usha Seamkhum, Patricia Mok, Henry Thia
Synopsis
Influencer Kai Xin finds herself in hot water after a controversy forces her to flee to Malaysia with her mother. There, she reconnects with former flame Zi Hao, and together they enter a pineapple tart-baking competition that could solve all their financial troubles. This heartwarming tale explores themes of redemption, second chances, and the importance of family during the CNY season.
Review
A Good Fortune marks an auspicious debut for director Jason Lee, delivering a film that balances contemporary social commentary with timeless CNY values. The decision to tackle modern issues like influencer culture and online scams while maintaining the warm, family-centric tone of traditional festive comedies shows remarkable maturity for a first-time feature director.
Xixi Lim brings genuine vulnerability to Kai Xin, making her more than just a cautionary tale about social media excess. Her character arc from self-absorbed influencer to humbled daughter learning to appreciate life’s simple pleasures feels earned rather than forced. The chemistry between Lim and Wang Weiliang provides the film’s emotional anchor, with their rekindled romance feeling natural against the backdrop of competitive baking and family reconciliation.
The inclusion of Thai sensation Usha Seamkhum is more than just stunt casting. Her presence adds genuine cross-cultural appeal and her performance brings depth to what could have been a one-note supporting role. Seamkhum’s scenes provide some of the film’s most touching moments, particularly when her character shares wisdom about perseverance and family loyalty.
The pineapple tart competition serves as an excellent narrative device, allowing the film to showcase Malaysian-Chinese culinary traditions while building tension and stakes. The baking sequences are lovingly filmed, making the food almost a character itself. Veteran comedians Patricia Mok and Henry Thia provide reliable comic relief without overshadowing the central narrative.
Verdict: A refreshing take on the CNY comedy that successfully modernizes the genre while respecting its roots. Perfect for families looking for something both entertaining and meaningful. ★★★★☆ (4/5)
Blades of the Guardians
Release Date: February 17, 2026
Director: Yuen Woo-ping
Cast: Wu Jing, Nicholas Tse, Tony Leung Ka Fai, Jet Li
Synopsis
Set in 607 AD during the Sui Dynasty, master swordsman Dao Ma must escort a wanted fugitive across treacherous wastelands crawling with bounty hunters and mercenaries. As the journey unfolds, hidden loyalties are revealed and epic battles ensue in this martial arts spectacular.
Review
Blades of the Guardians represents a triumphant return to form for legendary action choreographer Yuen Woo-ping, whose work on The Matrix trilogy and Kill Bill redefined action cinema in the West. Here, working with an all-star Chinese cast, Yuen crafts a wuxia epic that honors the genre’s classical traditions while incorporating modern filmmaking techniques.
The casting is nothing short of spectacular. Wu Jing, China’s reigning action king, brings gravitas and physical prowess to the role of Dao Ma. His fight choreography showcases years of martial arts mastery, with each movement precise and purposeful. Nicholas Tse delivers a career-best performance as a complex fighter whose motivations gradually unfold. Tony Leung Ka Fai’s portrayal of a corrupt high official adds political intrigue to the proceedings.
The most poignant aspect is Jet Li’s rare appearance. Given his well-documented health struggles, seeing Li on screen again feels like a gift to martial arts cinema fans. While his screen time is measured, his presence carries weight, and his character’s mysterious loyalties add a layer of emotional complexity to the film’s final act.
Visually, the film is stunning. The wasteland setting provides a harsh, unforgiving backdrop that contrasts beautifully with the balletic grace of the fight choreography. Yuen’s signature style is evident in every frame—wire work that defies physics yet maintains emotional authenticity, close-quarters combat that allows actors’ skills to shine, and wide shots that capture the epic scale of battles.
The narrative, while straightforward, provides sufficient emotional stakes. Themes of honor, sacrifice, and the blurred lines between justice and vengeance resonate throughout. The escort mission structure allows for episodic encounters that build tension toward a climactic showdown.
Verdict: A must-see for wuxia enthusiasts and action cinema fans. Yuen Woo-ping proves he remains at the peak of his craft. ★★★★★ (5/5)
3 Good Guys
Release Date: February 12, 2026
Director: Boi Kwong
Cast: Simonboy, Tommy Wong, Mayiduo, Germaine Chow, Fah Chatchaya, Mark Lee
Synopsis
Three friends facing romantic troubles visit a Thai shrine known for helping the lovelorn, only to find themselves transported to a wacky, gender-flipped alternate reality. This high-concept comedy explores modern relationships through a supernatural lens.
Review
3 Good Guys continues the trend of social media personality-driven comedies, following in the footsteps of Follow Aunty La and Ah Girls Go Army. Director Boi Kwong, building on his indie credentials from Geylang, takes a more commercial approach here, with mixed but generally entertaining results.
The film’s premise—a gender-flipped reality triggered by a visit to a Thai shrine—provides fertile ground for both comedy and social commentary. When Jeremy (Simonboy) and his friends Mike (Tommy Wong) and Ah Bao (Mayiduo) find themselves navigating a world where traditional gender dynamics are reversed, the film has opportunities to explore relationship expectations, toxic masculinity, and the dating pressures faced by modern men.
To its credit, 3 Good Guys doesn’t just go for cheap laughs. While there are plenty of fish-out-of-water gags as the trio adjusts to their new reality, the script shows genuine interest in examining how societal expectations shape our romantic behaviors. The performances from the influencer cast are enthusiastic if somewhat unpolished, though their natural chemistry makes up for technical limitations.
Thai fitness influencer Fah Chatchaya brings charisma to her role, and the Thai-Singapore co-production angle adds welcome cultural diversity. Mark Lee’s guest appearance provides a dose of professional polish and comedic timing that elevates surrounding scenes.
The film’s weakness lies in its uneven pacing and tendency to abandon its high-concept premise for more conventional romantic comedy beats in the second half. The gender-flipped world is established with creativity but not fully explored, leaving untapped comedic and thematic potential.
Verdict: An enjoyable if lightweight rom-com that benefits from cross-cultural casting and a game ensemble. Best for younger audiences and fans of the influencer cast. ★★★☆☆ (3/5)
Kung Fu
Release Date: February 13, 2026
Director: Giddens Ko
Cast: Kai Ko, Leon Dai, Berant Zhu, Gingle Wang, Liu Kuan-ting
Synopsis
High school loser Yuan helps a homeless man claiming to be Huang Jun, a 500-year-old warrior. Under his tutelage, Yuan and his friends become skilled fighters, just in time to face an ancient demon on a city-wide killing spree. Based on Giddens Ko’s 2001 web novel Urban Horror Disease.
Review
Kung Fu represents director Giddens Ko’s ambitious attempt to blend martial arts tradition with contemporary urban fantasy. Known for the massive hit You Are The Apple Of My Eye, Ko returns to adapt his own early web novel, which became an online sensation when published during his university days in 2001.
The film’s greatest strength is its visual ambition. The collaboration between Taiwanese and South Korean action coordinators produces fight sequences that marry traditional martial arts choreography with cutting-edge VFX. When the 500-year-old warrior Huang Jun (a commanding Leon Dai) trains Yuan and his friends, the training montages crackle with energy, using visual effects to represent the flow of chi and the awakening of martial abilities.
Kai Ko delivers a solid performance as Yuan, effectively portraying the transformation from bullied nobody to confident fighter. The character arc follows familiar beats but Ko sells the emotional journey. The dynamic between Yuan, his friend Ah-yi (Berant Zhu), and classmate Yi-jing (Gingle Wang) provides both comic relief and romantic tension that keeps the human element grounded amid escalating supernatural mayhem.
Where Kung Fu truly excels is in its villain. Liu Kuan-ting’s Lan Jin is a genuinely menacing presence—an ancient demon whose city-wide rampage carries real stakes. The climactic battles are spectacular, though occasionally the VFX overwhelm the practical martial arts that should be the foundation.
The film grapples with themes of mentorship, hidden potential, and the eternal struggle between good and evil. Ko’s script, adapted from his younger self’s work, sometimes shows its web novel origins with exposition-heavy dialogue, but the pacing keeps the story moving.
Verdict: A visually impressive fantasy-action hybrid that succeeds more on spectacle than depth, but delivers consistent entertainment. ★★★½☆ (3.5/5)
Night King
Release Date: February 16, 2026
Director: TBA
Cast: Dayo Wong, Sammi Cheng
Synopsis
Set in Hong Kong’s Tsim Sha Tsui district in 2012, veteran nightclub manager Foon Gor struggles to keep his establishment afloat. When the new owner installs a no-nonsense CEO who happens to be his ex-wife V Jie, professional and personal tensions collide in this drama-comedy about second acts and unresolved feelings.
Review
Night King is pure cinematic comfort food for Hong Kong cinema enthusiasts. The pairing of comedy legend Dayo Wong and Cantopop icon Sammi Cheng finally gets the showcase it deserves, after their limited interaction in 2010’s All’s Well, Ends Well 2010 left fans wanting more.
The film’s 2012 setting is a masterstroke, capturing a specific moment when Hong Kong’s legendary nightlife scene was in decline, caught between its glorious past and uncertain future. This temporal displacement adds poignancy to what could have been a straightforward workplace comedy. Tsim Sha Tsui’s transformation serves as both backdrop and metaphor for the characters’ own struggles with change and obsolescence.
Wong and Cheng demonstrate why they’re considered royalty in Hong Kong entertainment. Wong’s Foon Gor is a wonderfully complex creation—part old-school charmer, part stubborn anachronism, wholly sympathetic. His defense of traditional hospitality and personal touch against corporate efficiency speaks to broader anxieties about modernization erasing cultural identity.
Cheng matches him beat for beat as V Jie, creating a character who could have been a one-dimensional antagonist but instead emerges as equally principled, simply operating from different values. The film walks a delicate tightrope, making clear that neither party is wrong, just incompatible in their visions.
The ex-spouse dynamic adds delicious tension to every interaction. As professional disagreements escalate, unresolved marital issues resurface, and the film skillfully weaves between sharp workplace comedy and genuine emotional drama. Flashbacks revealing their relationship history are deployed judiciously, deepening our understanding without overwhelming the present-day narrative.
The nightclub setting allows for colorful supporting characters and opportunities for musical interludes that showcase Cheng’s vocal talents. The production design lovingly recreates the neon-soaked atmosphere of early 2010s Hong Kong nightlife.
Verdict: A mature, smartly written drama-comedy elevated by two performers at the height of their powers. Essential viewing for HK cinema fans. ★★★★☆ (4/5)
Liang Po Po Vs Ah Beng
Release Date: February 17, 2026
Director: Jack Neo
Cast: Jack Neo, Jack Lim, Ivory Chia, Terence Cao, Gurmit Singh, Danny Lee, Jestinna Kuan
Synopsis
When young Xiao Yun is kidnapped by an organ-trafficking syndicate, her adoptive father Ah Beng teams up with the energetic Liang Po Po for a rescue mission that takes them across borders and into dangerous territory.
Review
Liang Po Po Vs Ah Beng represents a fascinating cultural crossover, uniting two beloved comedy characters from opposite sides of the Causeway. Jack Neo’s drag persona Liang Po Po has been a Singaporean institution since the 1990s, while Jack Lim’s Ah Beng character enjoys similar iconic status in Malaysia. Their first on-screen pairing delivers exactly what fans hope for while surprising with unexpected emotional depth.
The film walks a tonal tightrope, balancing broad physical comedy with the surprisingly dark premise of child kidnapping and organ trafficking. That it mostly succeeds is testament to Neo’s directorial experience and understanding of his audience. The comedy never trivializes the stakes; rather, the humor becomes a coping mechanism for characters facing genuine danger.
Neo’s Liang Po Po remains irrepressibly energetic, a whirlwind of well-meaning chaos. Lim’s Ah Beng provides perfect counterpoint—impulsive where Po Po is strategic, rough-edged where she’s nurturing. Their odd-couple dynamic generates consistent laughs, particularly in sequences where cultural and personality differences collide.
The decision to release two versions—one Mandarin-heavy for Singapore, one Cantonese-heavy for Malaysia—shows commendable attention to regional preferences. This dual-market approach respects linguistic diversity while maximizing the film’s commercial potential.
Young actress Ivory Chia as Xiao Yun provides the emotional core. Her relationship with Ah Beng, revealed through flashbacks, adds genuine pathos. Guest appearances from Terence Cao and Gurmit Singh offer fan service without derailing the narrative, while Malaysian actors Danny Lee and Jestinna Kuan strengthen the cross-border credentials.
The action sequences are competently staged, though clearly working within modest budget constraints. What the film lacks in production polish it makes up for in heart and cultural authenticity.
Verdict: A crowd-pleasing team-up that honors both characters while delivering laughs and heart. Perfect family viewing for the CNY season. ★★★½☆ (3.5/5)
Luck My Life
Release Date: February 17, 2026
Director: Eric Wong
Cast: Richie Koh, Tay Ping Hui, Cynthia Li, Rurusama
Synopsis
Wealthy mahjong prodigy Tian Cai has never lost a game, until suddenly his legendary luck abandons him. Forced into an identity crisis, he must relearn the game from scratch and rediscover himself, leading to a climactic CNY showdown at the mahjong table.
Review
Luck My Life is Eric Wong’s sophomore feature following Hi Noel, and it shows significant growth in his directorial confidence. While mahjong films are practically their own subgenre in Chinese cinema, Wong finds fresh angles by focusing on the psychological toll of lost identity rather than just the mechanics of gameplay.
Richie Koh’s performance as Tian Cai carries the film. His arc from arrogant prodigy to humbled student to centered competitor feels authentic because Koh commits fully to each stage. The early scenes establish Tian Cai’s insufferable confidence without making him irredeemable—we understand how natural talent and lifelong winning have shaped his personality.
When his luck disappears, the film doesn’t treat it as merely a plot device. Wong explores the existential crisis of someone whose entire identity rests on a skill that suddenly fails. Tian Cai’s journey becomes about separating self-worth from external validation, a surprisingly mature theme for what could have been a lightweight CNY comedy.
The mahjong sequences are filmed with clarity and style, making the game comprehensible even for viewers unfamiliar with its intricacies. Wong uses close-ups of tiles and hands to build tension, while the sound design makes each draw and discard feel significant.
Supporting performances from veterans Tay Ping Hui and Cynthia Li add gravitas, while cosplayer Rurusama brings unexpected charm to her role. The climactic CNY showdown delivers satisfying closure without feeling predetermined.
The film’s exploration of luck and fortune resonates with CNY themes of renewal and second chances. Wong’s script suggests that true luck comes not from the universe but from hard work, humility, and human connection—a message that lands without heavy-handedness.
Verdict: A surprisingly thoughtful drama-comedy that uses mahjong as metaphor for life’s ups and downs. Stronger than expected. ★★★½☆ (3.5/5)
Restored Classics
Three masterpieces of Chinese-language cinema receive theatrical re-releases in restored 4K format, offering audiences the chance to experience these influential works on the big screen.
Yi Yi
Original Release: 2000
Re-Release Date: February 17, 2026 (Filmhouse)
Director: Edward Yang
Cast: Wu Nien-jen, Elaine Jin
Synopsis
Edward Yang’s final masterpiece follows three generations of the Jian family as they navigate repressed emotions, unfulfilled desires, and the search for human connection in contemporary Taipei.
Review
Yi Yi stands as one of the towering achievements of 21st-century cinema. Edward Yang’s three-hour opus is simultaneously intimate and expansive, specific to Taiwanese culture yet universal in its exploration of family, regret, and the difficulty of truly seeing one another.
While not explicitly a Chinese New Year film, Yi Yi’s themes align perfectly with the season. The film’s meditation on family obligations, generational expectations, and the weight of tradition speaks to the very essence of CNY celebrations. Yang examines how families maintain facades of harmony while individual members quietly struggle with disappointment and disconnection.
The central figure, NJ (Wu Nien-jen), represents middle-aged disillusionment with particular poignancy. An electronics company executive who once aspired to more, NJ encounters his first love years later and must confront roads not taken. His storyline captures the unique pain of recognizing missed opportunities too late to act on them.
Yang’s compositional genius is evident in every frame. His use of glass reflections, doorways, and partitioned spaces creates visual metaphors for emotional distance and failed communication. Characters are frequently shot through windows or from behind, emphasizing how we rarely see people fully, even—or especially—those closest to us.
The film’s youngest character, eight-year-old Yang-Yang, becomes Yang’s surrogate artist. His project photographing the backs of people’s heads—showing them what they cannot see themselves—encapsulates the film’s thesis about perspective and self-knowledge. His final monologue to his comatose grandmother ranks among cinema’s most devastating moments.
The 4K restoration reveals Yang’s careful control over light and color. Taipei’s urban landscape becomes a character itself—modern, prosperous, yet somehow emotionally sterile. The pacing is deliberate, demanding patience but rewarding it with accumulating emotional power.
Verdict: A masterpiece that rewards multiple viewings. Essential cinema that transcends cultural boundaries. See it on the big screen. ★★★★★ (5/5)
So Close
Original Release: 2002
Re-Release Date: February 17, 2026 (Filmhouse)
Director: Corey Yuen
Cast: Shu Qi, Zhao Wei, Karen Mok
Synopsis
Assassin-hacker sisters Lynn and Sue are pursued by brilliant cop Kong Yat-hung. When betrayal strikes, the dynamic shifts from chase thriller to revenge drama in this stylish action spectacle.
Review
So Close has undergone a remarkable critical reassessment since its 2002 release. Initially dismissed as disposable action fare, it has earned cult status for its prescient vision of surveillance culture and its celebration of female competence in a male-dominated genre.
The film arrived near the peak of Hong Kong’s “girls with guns” cycle, but Corey Yuen’s direction elevates it above typical genre exercises. The casting of three of early-2000s Chinese cinema’s biggest stars—Shu Qi, Zhao Wei, and Karen Mok—provides both marquee appeal and genuine acting chops. Each brings distinct energy: Shu Qi’s cool professionalism, Zhao Wei’s vulnerability hiding steel, Mok’s determined intelligence.
The film’s techno-aesthetic now reads as delightfully Y2K—white pantsuits, sleek minimalism, ubiquitous surveillance cameras. What seemed hopelessly dated a few years ago now feels like period detail from a specific cultural moment. More significantly, the film’s premise of omnipresent digital surveillance has proven sadly prescient. What registered as sci-fi exaggeration in 2002 looks like documentary realism in 2026.
Yuen’s action choreography showcases his pedigree. The fight sequences emphasize the performers’ physicality while maintaining narrative clarity. A climactic shootout in a high-rise building uses architecture and camera placement to create geometric beauty from violence. The wire work is obvious but stylized enough to function as heightened reality rather than failed realism.
The sisterhood between Lynn and Sue provides emotional grounding. Their relationship—built on mutual dependence, shared trauma, and deep love—makes the betrayal that transforms the narrative genuinely painful. The shift from cat-and-mouse thriller to revenge drama is handled smoothly, maintaining momentum while raising emotional stakes.
The restored print emphasizes the film’s striking color palette—cold blues and clinical whites punctuated by violence’s crimson. It’s pure eye candy, unabashedly stylish, and more interested in cool than depth.
Verdict: A stylish time capsule that has aged into cult classic status. Pure entertainment that’s smarter than it initially appeared. ★★★½☆ (3.5/5)
Eat Drink Man Woman
Original Release: 1994
Re-Release Date: February 18, 2026 (Filmhouse)
Director: Ang Lee
Cast: Lung Sihung, Yang Kuei-mei, Wu Chien-lien, Wang Yu-wen
Synopsis
Master Chef Chu prepares elaborate Sunday dinners for his three daughters, each gathering revealing new life-changing decisions that challenge his traditional notions of family and harmony.
Review
Eat Drink Man Woman remains Ang Lee’s most purely pleasurable film, a work that balances cultural specificity with universal emotions, and culinary artistry with family drama. Thirty-two years after its release, it has lost none of its power to move, delight, and—yes—make audiences hungry.
The film’s opening sequence is legendary. For nearly ten minutes, we watch Master Chef Chu (Lung Sihung) prepare an elaborate multi-course meal in real time. Lee’s camera captures the knife work, the timing, the alchemy of ingredients becoming art. These opening minutes establish Chu’s mastery while suggesting that cooking is his primary—perhaps only—means of emotional expression.
The film’s structure is elegantly simple. Each act centers on a Sunday dinner where revelations about the three daughters’ lives emerge. Eldest daughter Jia-Jen (Yang Kuei-mei) copes with romantic disappointment through Christianity. Middle daughter Jia-Chien (Wu Chien-lien) pursues a corporate career while navigating complex romantic entanglements. Youngest daughter Jia-Ning (Wang Yu-wen) searches for independence and authentic love.
What makes Eat Drink Man Woman more than a well-crafted family drama is Lee’s refusal to take sides in generational conflicts. Chu’s traditional patriarchal expectations are presented sympathetically even as the film acknowledges their limitations. Similarly, the daughters’ desires for modern independence are validated without dismissing the value of tradition and continuity.
The film’s title, borrowed from a Confucian text about fundamental human desires, suggests that appetite—for food, for love, for life—unites us across generational and cultural divides. Chu’s elaborate cooking is his love language, even if his daughters don’t always recognize it as such.
The film’s final act contains one of cinema’s great reversals, recontextualizing everything that came before. The surprise feels earned rather than manipulative, a natural outgrowth of the story’s themes about communication, assumptions, and the difficulty of truly knowing even those closest to us.
The restored 4K print allows audiences to appreciate cinematographer Jong Lin’s work in capturing both Taipei’s modern energy and the timeless ritual of food preparation. The film has aged beautifully, its core emotions as fresh as when it premiered.
Verdict: A masterclass in balancing cultural specificity with universal emotion. Essential viewing, especially during family-focused seasons. ★★★★★ (5/5)
Conclusion & Recommendations
The Chinese New Year 2026 cinema season offers remarkable breadth, from commercial crowd-pleasers to art-house masterpieces, from contemporary issues to timeless themes. Whether you seek pure entertainment, cultural celebration, or cinematic artistry, this lineup delivers.
Viewing Recommendations by Audience
For Families:
A Good Fortune and Liang Po Po Vs Ah Beng offer the most family-friendly options, balancing humor with heart and maintaining appropriate content for all ages. Both films center on themes of togetherness and second chances that resonate with CNY values.
For Action Enthusiasts:
Blades of the Guardians is essential viewing. Yuen Woo-ping’s return to wuxia, combined with an all-star cast including Jet Li’s rare appearance, makes this the season’s must-see action spectacle. Kung Fu provides a more contemporary, VFX-heavy alternative.
For Romance Seekers:
Night King offers mature romantic drama alongside workplace comedy, while 3 Good Guys provides lighter, younger-skewing romantic comedy with a supernatural twist.
For Cinephiles:
The three restored classics are unmissable. Yi Yi and Eat Drink Man Woman are established masterpieces that deserve theatrical viewing, while So Close offers cult pleasures and the chance to reassess an underrated gem.
For Younger Audiences:
3 Good Guys with its influencer cast and high-concept premise, and Kung Fu’s fantasy-action blend will likely resonate most with teen and young adult viewers.
Final Thought
This CNY season proves that Asian cinema continues to thrive across all genres and budgets. From Singapore’s local productions to Hong Kong veterans to Taiwanese innovators, the diversity on display reflects the richness of Chinese-language filmmaking. Whether you watch one film or all ten, you’re guaranteed entertaining, meaningful experiences that capture the spirit of renewal and celebration that defines Chinese New Year.恭喜发财 · Happy Chinese New Year 2026
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